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背叛 Bèi Pàn (2006)
for flute/alto flute, clarinet/bass clarinet, violin, piano and
percussion duo: marimba, woodblocks, bongos, congas, tamtam,
vibraphone, crotales, crash cymbal and chinese cymbal
NOTES:
背叛(bèi pàn) is the Mandarin Chinese word for "to
betray" or "betrayal." The character 背(bèi) by itself means "back", so
the implication of the word is to turn one's back on another. The
piece is a short reflection on this concept much like Christopher
Rouse's Iscariot, the work which inspired me to write this piece. I included references to "Nessun Dorma", the famous aria from Puccini's Turandot for personal reasons. Bèi Pàn
is too short a work to represent an excessively involved emotional
journey; it cannot sustain the peaks of intensity that it reaches and
in the end is inconclusive. Perhaps the work serves as a reminder
that in certain situations time and distance can be our most valuable
allies.
Bèi Pàn was
written for the Norfolk Contemporary Music Workshop and was premiered
on June 29, 2006 in Norfolk, CT under the direction of Robert Van Sice.
LISTEN:
complete work
featuring:
Rachel Choe, flute/alto flute
Pavel Vinnitsky, clarinet/bass clarinet
Annaliesa Place, violin
Keith Kirchoff, piano
Eric Beach, percussion
Mike Compitello, percussion
Robert Van Sice, conductor
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